Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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Albert Bierstadt Albert Bierstadt's art oil painting


Albert Bierstadt's art
Date:? ttd
Painting ID::  96193
Albert Bierstadt
Albert Bierstadt's art
Date:? ttd
   
   
     

Albert Bierstadt Conway Valley New Hampshire oil painting


Conway Valley New Hampshire
Date:? ttd
Painting ID::  96194
Albert Bierstadt
Conway Valley New Hampshire
Date:? ttd
   
   
     

Albert Bierstadt Ruins-Campagna of Rome oil painting


Ruins-Campagna of Rome
1867(1867) Medium oil on cardboard Dimensions 8 X 13 in cyf
Painting ID::  96255
Albert Bierstadt
Ruins-Campagna of Rome
1867(1867) Medium oil on cardboard Dimensions 8 X 13 in cyf
   
   
     

Albert Bierstadt Fishing Boats at Capri oil painting


Fishing Boats at Capri
oil on paper mounted on canvas Dimensions 33.97 X 49.85 cm cyf
Painting ID::  96378
Albert Bierstadt
Fishing Boats at Capri
oil on paper mounted on canvas Dimensions 33.97 X 49.85 cm cyf
   
   
     

Albert Bierstadt Autumn in the Conway Meadows looking towards Mount Washington oil painting


Autumn in the Conway Meadows looking towards Mount Washington
1858(1858) Medium oil on canvas Dimensions 48.26 X 71.12 cm cyf
Painting ID::  96448
Albert Bierstadt
Autumn in the Conway Meadows looking towards Mount Washington
1858(1858) Medium oil on canvas Dimensions 48.26 X 71.12 cm cyf
   
   
     

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     Albert Bierstadt
     German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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